nahid jafari dehkordi; khashayar ghazizadeh
Volume 2, Issue 1 , April 2018, , Pages 19-42
Abstract
With the advent of Islam, the art of writing the Qur'an and decorating it reached a high position with the Muslims. Because the pages of the divine book were always rich in the richest artistic arrays, their aesthetics represented a systematic link between the elements of the image and the text of the ...
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With the advent of Islam, the art of writing the Qur'an and decorating it reached a high position with the Muslims. Because the pages of the divine book were always rich in the richest artistic arrays, their aesthetics represented a systematic link between the elements of the image and the text of the Qur'an. One of these features is reflected in the so-called symmetry order. The present study was conducted using descriptive-analytic method. The purpose of this research is to recognize the aesthetic features, reflection symmetry in Sura Baqara written in Quran 1529 on the Astan Quds Razavi. And then the focal point of the letters is adapted in other similar Qurans. The results of library studies on the basis of statistics indicate that the scribes of these manuscripts of the Qur'an, without being directly influenced by each other, have been able to approach the common geometric and musical order within the Quranic verses. Such an event, in addition to describing Iranian art, expresses the miracle hidden in the divine word that attracts its followers to the constructs themselves.
